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Dimensions: 150cm x 100cm (Variable dimensions)
Medium: digital print

Using chronological, mechanical observation to visualise physical experience.

"The crowd is his element, as the air is that of birds and water of fishes. His passion and his profession are to become one flesh with the crowd. For the perfect flâneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite. To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world - impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito (Baudelaire: 1964)".Baudelaire, C. (1964), The Painter of Modern Life, New York: Da Capo Press

Method of production: 3,008 photos taken at approximately one second intervals while walking on streets, roads and various paths in London, camera lens facing the direction of walking. Single-pixel width vertical strip cut and joined sequentially from left to right using each photo of 3,008 shots to form a 3,008 pixel by 2000 pixel, the dimension of one digital photograph of the camera used in making the series, digital image.